About Kitty Mazinsky

Vintage jazz vocalist, Great American Songbook specialist, and occasional maker of 1930s blouses.

I have been performing professionally since 2013, specialising in jazz standards, the Great American Songbook and 1940s wartime repertoire. I am based in Hungerford, Berkshire, and perform at weddings, private parties and celebrations, corporate events, luxury hotels, private members’ clubs, 1940s heritage festivals and wartime commemorations across the South of England and beyond.

The name Kitty Mazinsky is, I will admit, a stage name — though not an invented one. Kitty comes from two women on my mother's side: my mother Kathleen, who was called Kitty as a child, and my great aunt Kitty. Mazinsky comes from a childhood mishearing of my great great grandfather's surname, which appears variously in family records as Masansky, Misansky and Maskey, and was later changed to Mason.

Barnett Masansky was born in Vilnius in 1893 and came to London in exile around 1911. After serving in the Royal Field Artillery during WWI, he ran a Manchester barber's shop in the 1920s before travelling to Spain with the International Brigades in 1936. He was killed on the first day of the Battle of Jarama in February 1937 — two years before the war that produced much of the music I now sing.

Some years ago I sang Patsy Cline's Crazy as a duet with his son Albert at a family reunion. Using the name feels right: it belongs to my family, and to an era whose history and music have fascinated me for much of my life.

Kitty Mazinsky sits on the crescent-shaped stone steps of a Berkshire country house, a weeping willow to the left of the frame. She has long blonde hair falling in open curls, and is reaching out to touch a Labrador descending the steps.

How I Got Here

I grew up in Wokingham singing in school choirs and with Wokingham Choral Society, where I sang under conductor Edward Gardner. Music was in the family from the start: my mother Kathleen studied at Goldsmiths and sang in choirs across Europe before having children, and taught me and my siblings and friends to play recorder from the age of five. My father Bryan worked for Maidenhead Steam — he still keeps a 1925 pleasure craft called Crest on the Thames; you can find her on Instagram at @Crest1925 — and I grew up on the river in and around Henley-on-Thames, getting underfoot as a child at the regatta, where I later tended bar as a teen, and attending the Festival and Traditional Boat Rally for many years. More recently, I have performed twice for the Henley Living Advent Calendar. The world of Edwardian and interwar elegance on the water was a part of my surroundings before I even attended nursery, and probably part of why I ended up here. A Sheryl Crow fanatic, I picked up guitar at sixteen and started writing and performing my own songs, and at eighteen I moved to Los Angeles, where I spent four years playing acoustic gigs on the Sunset Strip — at the Whisky a Go Go, the Rainbow Room and others.

At A-level, studying theatre, I became fascinated by Marilyn Monroe and wrote and starred in a short play about her — my first inkling of an interest in classical Hollywood and the world created on the backlots and soundstages of Burbank and Studio City. When I came back to the UK and attended Warwick University, I spent every available moment immersing myself in student society Music Theatre Warwick, performing in multiple productions every year, directing and producing as well as appearing on stage. While studying film and television, including a PhD on costume, a module on Hollywood musicals sparked an idea. Watching Fred Astaire and Ginger Rogers and taking in MGM spectaculars, I kept hearing music I somehow already knew, realising I had been listening to jazz standards and the Great American Songbook my whole life without knowing it. I was immediately inspired, knowing I must do something with these songs.

When I graduated in 2013, I launched my career as Kitty Mazinsky: performances built around the music, history and aesthetic of the 1930s, 40s, 50s and 60s. The connection between jazz standards and musical theatre — which has always been my first love — turned out to be inseparable. So many songs I sing began their life on a Broadway stage or a Hollywood set before becoming jazz standards, and understanding that lineage makes the music more meaningful to me. I work consistently with vocal coaches to keep my technique sharp, and I am learning piano so that I can eventually accompany myself live.

Before Kitty Mazinsky, I performed as a singer-songwriter under my own name, Fiona Cox. My album Mrs Charming is available on Spotify if you’re curious about where I started. I took the long way round, but it turns out this is exactly where I was always going.

The Aesthetic

The 1930s and 40s hold endless fascination for me. An occasional seamstress, I make some of my own clothes from 1930s and 40s patterns: little blouses, slacks, shirt-dresses. I have been known to wear my own creations to gigs. My Pashley bicycle — a brand I first spotted in a shop window in Stratford-upon-Avon and pined over for many years — is as much a part of the aesthetic as anything else. I love to ride it into Hungerford to pick up bread from the baker, which is as close to living in 1935 or perhaps being a Suffragette as modern life allows. Some of the photographs on this and other pages were taken alongside my dad’s Frogeye Sprite, which I borrowed for the shoot — it belonged in the pictures as naturally as the vintage microphone (is what I told him to get him to drive it over). To me, the music and the look belong together; there’s something about putting on a well-cut 1940s silhouette that puts you in exactly the right frame of mind to sing Ella Fitzgerald.

I have been described, not entirely inaccurately, as a little bit Doris Day — sunny, enthusiastic, and honest-to-goodness delighted to be doing this. The era I love to inhabit was one of extraordinary elegance and resilience, and I try to bring both of those qualities to every performance — and maybe the occasional day at home, too.

Kitty Mazinsky poses in the gardens of the Folly Tea Rooms in Holt, North Norfolk. She is wearing a white silk dress in a 1940s silhouette, with a multi-coloured floral pattern. She also wears a red fascinator.
Kitty Mazinsky wearing a wide-brimmed red hat and yellow scarf, photographed in the garden at the Folly Tea Rooms, Holt, Norfolk, with an afternoon tea stand in the foreground

In Performance

I perform solo with professional backing tracks for most bookings — a full, polished sound with arrangements your guests will recognise, suitable for everything from a wedding breakfast or private dinner to a hotel lounge or corporate event. I also perform at luxury food and drink festivals, with experience at venues including Oxford Town Hall, Cheltenham Town Hall, Reading Town Hall and Exeter Corn Exchange. Norfolk has been a regular part of my performing life since 2014. For six consecutive years, from 2014 to 2019, I returned to Holt during the Holt & Sheringham 1940s Weekend, performing at the Folly Tea Rooms and later at Hopper’s Yard. For larger stages and special occasions I also appear with Apollo Big Band, bringing the full live sound of jazz and swing, including a dedicated 1940s wartime set for heritage and commemorative events. For intimate settings, I am available as a duo with piano, trio with piano and double bass, or quartet with piano, double bass and percussion.

Every booking includes a consultation to discuss repertoire, format and the flow of your event. I am easy to work with, I like to please people, and I take the practical side of performing — logistics, timing, sound requirements — as seriously as the musical side. All equipment is provided, PAT tested and covered by Public Liability Insurance through the Musicians’ Union.

What I do

Get in Touch

If you’re thinking about booking me for your wedding, private celebration, corporate event or venue, I would be delighted to hear from you. I love to talk through what people are looking for and enjoy working out the best way to make it happen. Drop me a message via the enquiry form or contact me on the number below and I’ll get back to you as soon as I can.